HELIODOR LP 478-445: VERDI / ROSSINI Overtures and Preludes 1963
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Background on this item -
Ferenc Fricsay (9 August 1914 – 20 February 1963) was a Hungarian conductor. From 1960 until his death, he was an Austrian citizen.

Fricsay was born in Budapest in 1914 and studied music under Béla Bartók, Zoltán Kodály, Ernst von Dohnányi, and Leo Weiner. With these and other faculty at the Budapest Academy of Music he studied piano, violin, clarinet, trombone, percussion, composition and conducting. Fricsay made his first appearance as a conductor at age 15, substituting for his father at the podium of the Young Musicians Orchestra of Budapest. In 1930, at the age of 16, he succeeded his father as conductor of the Young Musicians Orchestra.

On graduating in 1933, Fricsay became repetiteur for the chorus of the Budapest Opera; then, from 1933 to 1943, he was music director of the Szeged Philharmonic Orchestra (Szeged is the third largest city in Hungary); he also served as director of its military band from 1933. In 1942, he was court-martialed by the government of Miklós Horthy for wanting to employ Jewish musicians, and for having "Jewish blood" himself (according to reliable reports, his mother was Jewish). When the Nazis occupied Hungary in 1944, the chief editor of the Szeged daily newspaper warned Fricsay that the Gestapo planned to arrest him; he and his wife and three children avoided this fate by going underground in Budapest.

In 1945, secret emissaries offered him the co-directorship of the Metropolitan Orchestra of Budapest (later Budapest Philharmonic Orchestra); he also became principal conductor of the Budapest Opera. He conducted opera at the Vienna Volksoper and at the Salzburg Festival in the late 1940s, including world premieres in Salzburg of operas by Gottfried von Einem ("Danton's Tod" in 1947) and by Frank Martin ("Zaubertrank" in 1948). The enthusiastic reception of Fricay's work on this international stage led to his being appointed Chief Conductor of the Berlin RIAS Symphony Orchestra and General Music Director of the Deutsche Oper Berlin, from 1949–1952, performing then in the Theater des Westens. He made his United Kingdom debut at the 1950 Edinburgh Festival, leading the Glyndebourne Opera in Mozart's Le Nozze di Figaro. He made his Buenos Aires debut that year with Carmina Burana. In 1951 he made his debuts in Italy and with the Royal Concertgebouw  Orchestra in Amsterdam. In 1953 he made his debuts in Paris, Milan, Lucerne, and the USA, where he conducted the Boston Symphony Orchestra and San Francisco Symphony. He was appointed musical director of the Houston Symphony in 1954, but resigned halfway through the season over "disagreements on musical policy." He made his debut with the Israel Philharmonic in 1954. He spent much of his time from the 1950s onward in Germany as music director of the Bavarian State Opera (1956–1958) and as conductor of the RIAS Symphony Orchestra, the Deutsche Oper Berlin and the Berlin Philharmonic. Also in 1956, he was appointed General Music Director of the Munich Court Opera, a position he held until 1958.

Fricsay gave his last concert on 7 December 1961 in London where he conducted the London Philharmonic Orchestra in Beethoven's Symphony No. 7. He suffered from repeated illnesses throughout his life and finally succumbed to cancer of the stomach on 20 February 1963 at the age of 48 in Basel, Switzerland.

Fricsay was known for his interpretations of the music of Mozart and Beethoven, as well as that of his teachers Béla Bartók and Zoltán Kodály. His 1958 recording of Beethoven's Symphony No. 9 is featured in the movie A Clockwork Orange. He conducted without a baton, according to the entry in New Grove, but "confounded the adverse critics of this technique by the extreme clarity and precision of his performances," to which it also ascribes "a dynamic spirit" and "vividness of character in familiar classics."

From the 1950s until his death, he recorded for the Deutsche Grammophon record label. He led the inauguration of the rebuilt Deutsche Oper Berlin with a performance of Don Giovanni on September 24, 1961.

HELIODOR Records LP item - MAROON (DEEP RED) record labels with GOLD lettering - the record label logo is in yellow - see pictures with this listing for more detail
Record Made in GERMANY
Pressing is in MONO
Record Speed: 33 rpm
Record Made in: October 1963 - on heavy vinyl
Record Catalog Number: 478 445 HI-FI

This listing is for a very rare, out of print LP featuring the music of -

Giuseppe VERDI / Gioacchino ROSSINI

LP Title -
OVERTURES and PRELUDES

Performers on this title include -
RIAS Symphony Orchestra Berlin
Berlin Philharmonic Orchestra
Ferenc Fricsay, conductor

Track listings -
1. Verdi: La Forza del Destino
2. Verdi: I Vespri Siciliani
3. Verdi: Nabucco
4. Verdi: La Traviata - Preludes Acts I and III
5. Rossini: La Scala di Seta
6. Rossini: L'Italiana in Algeri
7. Rossini: Tancredi

CONDITION Details:
The JACKET:
The LP jacket is in near mint minus condition.
The jacket has NO seam splits - it is completely intact, and shows only some mild shelf wear.
It has NO drill holes or saw marks of any kind - see pictures with this listing for a better understanding of the condition of this item.
There is NO hand writing on the front or back of the jacket (see point above). The jacket is covered in "Clarifoil", both sides - this is the mark of a high quality product as the earliest Decca's and EMI jackets were made with Clarifoil as well.
The cover has clean and sharp colors - see picture with this listing for more detail.

The LP (vinyl) itself:
The LP is in near MINT minus condition!
It retains most of the original gloss and sheen, almost like a new record!
The record has no serious marks on it, obviously well taken care of.
NO significant spindle marks either - just a couple of light ones.
This is the copy you have always wanted in your collection - any picky audiophile or collector should be happy with this one!
This LP may have a slight mark or two (spider marks) which are caused by sliding the LP in and out of the inner sleeve and are usually not audible on most audio systems, depending of course, on the sensitivity of your turntable, arm and cartridge.

Please understand that this is a vintage LP record - as such, one cannot expect the vinyl to sound like a brand new, audiophile pressing! Some noise is inevitable - for best results, always properly clean your LPs before playing them.

The LP is an audiophile quality pressing (any collector of fine MFSL, half speeds, direct to discs, Japanese/UK pressings etc., can attest to the difference a quality pressing can make to an audio system).

A Short Note About LP GRADING -
Mint {M} = Only used for sealed items.
Near Mint {NM} = Virtually flawless in every way.
Near Mint Minus {NM-} = Item has some minor imperfections, some audible.
Excellent {EXC} = Item obviously played and enjoyed with some noise.
Very Good Plus {VG+} = Many more imperfections which are noticeable and obtrusive.

Don't let this rarity slip by!!!

  • Item #: Heliodor LP 478 445 HI-FI NM
  • Manufacturer: Heliodor Records
  • Condition: Used

HELIODOR LP 478-445: VERDI / ROSSINI Overtures and Preludes 1963

Price: $39.99
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