EVEREST LP SDBR-3069: BARTOK, Concerto for Orchestra - STOKOWSKI
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Background on this item -
Leopold Anthony Stokowski (April 18, 1882 – September 13, 1977) was a British orchestral conductor, well known for his free-hand performing style that spurned the traditional baton and for obtaining a characteristically sumptuous sound from many of the great orchestras he conducted.

In America, Stokowski performed with the Cincinnati Symphony Orchestra, the Philadelphia Orchestra, the NBC Symphony Orchestra, New York Philharmonic Symphony Orchestra, the Houston Symphony Orchestra, the Symphony of the Air and many others. He was also the founder of the All-American Youth Orchestra, the New York City Symphony, the Hollywood Bowl Symphony Orchestra and the American Symphony Orchestra. He conducted the music for and appeared in Disney's Fantasia and was a lifelong champion of contemporary composers, giving many premieres of new music during his 60-year conducting career. Stokowski, who made his official conducting debut in 1909, appeared in public for the last time in 1975 but continued making recordings until June 1977, a few months before his death at the age of 95.

Stokowski was the son of an English-born cabinet-maker with Polish heritage, Kopernik Joseph Boleslav Stokowski, and his Irish-born wife Annie-Marion Stokowski, née Moore. Stokowski was born Leopold Anthony Stokowski, though on occasion in later life he altered his middle name to Antoni. There is some mystery surrounding his early life. For example, he spoke with an unusual, non-British accent, though he was born and raised in London, England. In addition, on occasion, Stokowski gave his birth year as 1887 instead of 1882, as in a letter to the Hugo Riemann Musiklexicon in 1950, which also gave his birthplace as Kraków, Poland. Nicolas Slonimsky, editor of Baker's Biographical Dictionary of Musicians received a letter from a Finnish encyclopedia editor that said, "The Maestro himself told me that he was born in Pomerania, Germany, in 1889."

However, Stokowski's birth certificate (signed by J. Claxton, the registrar at the General Office, Somerset House, London, in the parish of All Souls, County of Middlesex) gives his birth on April 18, 1882, at 13 Upper Marylebone Street (now New Cavendish Street), in the Marylebone District of London. Stokowski was named after his Polish-born grandfather Leopold, who died in the English county of Surrey on January 13, 1879, at the age of 49. The "mystery" surrounding his origins and accent is clarified in Oliver Daniel's 1000-page biography "Stokowski – A Counterpoint of View" (1982), in which (in Chapter 12) Daniel reveals that Stokowski came under the influence of his first wife, the pianist Olga Samaroff. Samaroff, née Hickenlooper, was from the American mid-west, and adopted a more exotic-sounding name to further her career. For professional and career reasons, she "urged him to emphasize only the Polish part of his background" once he became a resident of the United States.

Stokowski studied at the Royal College of Music, where he first enrolled in 1896 at the age of thirteen, making him one of the youngest students to do so. In his later life in America, Stokowski would perform six of the nine symphonies composed by his fellow organ student Ralph Vaughan Williams. Stokowski sang in the choir of the St. Marylebone Church, and later he became the Assistant Organist to Sir Walford Davies at The Temple Church. At the age of 16, Stokowski was elected to a membership in the Royal College of Organists. In 1900, Stokowski formed the choir of St. Mary's Church, Charing Cross Road, where he trained the choirboys and played the organ. In 1902, Stokowski was appointed the organist and choir director of St. James's Church, Piccadilly. He also attended The Queen's College, Oxford, where he earned a Bachelor of Music degree in 1903.

In 1905, Stokowski began work in New York City as the organist and choir director of St. Bartholomew's Church. He was very popular among the parishioners, who included members of the Vanderbilt family, but in the course of time, he resigned this position in his quest of a career as an orchestra conductor. Stokowski moved to Paris for additional study in music conducting. There he heard that the Cincinnati Symphony Orchestra would be needing a new conductor when it returned from a long sabbatical. In 1908, Stokowski began a campaign to win this conducting position, writing multiple letters to the orchestra's president, Mrs. C. R. Holmes, and traveling all the way to Cincinnati, Ohio, for a personal interview.

Stokowski won out over the other applicants, and he took up his conducting duties in the fall of 1909. That was the year of his official conducting debut in Paris with the Colonne Orchestra on May 12, 1909, when Stokowski accompanied his bride-to-be, the pianist Olga Samaroff, in Tchaikovsky's Piano Concerto No. 1. Stokowski's conducting debut in London took place the following week on May 18 with the New Symphony Orchestra at Queen's Hall.

Stokowski as the new permanent conductor was a great success in Cincinnati, where he introduced the concept of "pop concerts." Starting with his first season in Cincinnati, he began championing living composers with performances of music by Richard Strauss, Sibelius, Rachmaninoff, Debussy, Glazunov, Saint-Saëns and many others. He conducted the American premieres of new works by such composers as Elgar, whose 2nd Symphony was first presented there on November 24, 1911. He was to maintain his advocacy of contemporary music to the end of his career.

However, in early 1912, Stokowski became highly frustrated with the politics of the orchestra's Board of Directors, and he turned in his resignation. There was some dispute over whether to accept this or not, but on April 12, 1912, the Board decided to do so.

Two months later, Stokowski was appointed the director of the Philadelphia Orchestra, and he made his conducting debut in Philadelphia on October 11, 1912. This position would bring him some of his greatest accomplishments and recognition. It has been suggested that Stokowski resigned abruptly at Cincinnati with the hidden knowledge that the conducting position in Philadelphia was his when he wanted it, or as Oscar Levant suggested in his book A Smattering of Ignorance, "he had the contract in his back pocket." Before Stokowski moved into his conducting position in Philadelphia, however, he sailed back to England to conduct two concerts at the Queen's Hall in London. On May 22, 1912, Stokowski conducted the London Symphony Orchestra in a concert which he was to repeat in its entirety 60 years later at the age of 90, and on June 14, 1912, he conducted an all-Wagner concert that featured the noted soprano Lillian Nordica. While he was director of the Philadelphia Orchastra, he was largely responsible for convincing Mary Louise Curtis Bok to set up the Curtis Institute of Music (October 13, 1924) in Philadelphia, which became and continues to be probably the finest music school in the country and  perhaps the world. He helped with recruiting faculty and hired many of their graduates.

Stokowski rapidly gained a reputation as a musical showman. His flair for the theatrical included grand gestures such as throwing the sheet music on the floor to show he did not need to conduct from a score. He also experimented with new lighting arrangements in the concert hall, at one point conducting in a dark hall with only his head and hands lighted, at other times arranging the lights so they would cast theatrical shadows of his head and hands. Late in the 1929-30 symphony season, Stokowski started conducting without a  baton. His free-hand manner of conducting soon became one of his  trademarks.

EVEREST Records LP item - BLACK record labels with SILVER lettering - see pictures
Record Made in: USA
Pressing is in STEREO
Record Speed: 33 1/3 rpm
Record Made in:  early 1960
Record Catalog Number: SDBR 3069

This listing is for a very rare, out of print LP featuring the music of -


LP Title -

Performers on this disc include -
Leopold Stokowski, conductor
Houston Symphony Orchestra

Track listings -
1. Concerto For Orchestra

The LP jacket is in near mint minus condition.
The jacket has NO seam splits - it is completely intact, and shows only some light shelf wear, primarily along the seams and corners.
It has NO drill holes or saw marks of any kind - see pictures with this listing for a better understanding of the condition of this item.
There is NO hand writing on the front or back of the jacket (see point above).
The cover is a bit dirty, primarily due to the fact that most of it is colored WHITE. It does have clean and sharp colors - see picture with this listing for more detail.

The LP (vinyl) itself:
The LP is in near MINT minus condition!
It retains most of the original gloss and sheen!
The record has no serious marks on it, obviously well taken care of.
NO significant spindle marks either - just a couple of light ones.
This is the copy you have always wanted in your collection - any picky audiophile or collector should be happy with this one!
This LP may have a slight mark or two (spider marks) which are caused by sliding the LP in and out of the inner sleeve and are usually not audible on most audio systems, depending of course, on the sensitivity of your turntable, arm and cartridge.

Please understand that this is a vintage LP record - as such, one cannot expect the vinyl to sound like a brand new, audiophile pressing! Some noise is inevitable - for best results, always properly clean your LPs before playing them (even brand new LPs).

The LP is an audiophile quality pressing (any collector of fine MFSL, half speeds, direct to discs, Japanese/UK pressings etc., can attest to the difference a quality pressing can make to an audio system).

A Short Note About LP GRADING -
Mint {M} = Only used for sealed items.
Near Mint {NM} = Virtually flawless in every way.
Near Mint Minus {NM-} = Item has some minor imperfections, some audible.
Excellent {EXC} = Item obviously played and enjoyed with some noise.
Very Good Plus {VG+} = Many more imperfections which are noticeable and obtrusive.

Don't let this rarity slip by!!!

  • Item #: Everest LP SDBR-3069 NM
  • Manufacturer: Everest Records
  • Condition: Used

EVEREST LP SDBR-3069: BARTOK, Concerto for Orchestra - STOKOWSKI

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