ARCHIV LP 2533 121: BEETHOVEN - Melodies arr as Songs, Sym No. 8
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Background on this item -
Herman Prey (11 July 1929 – 22 July 1998) was born in Berlin and grew up in Germany. He was a lyric baritone, most famous for lieder and for light comic baritone roles in opera. He was scheduled to be drafted when World War II ended. He studied voice at the Hochschule für Musik in Berlin and won the prize of the Frankfurt contest of the Hessischer Rundfunk in 1952.

He began to sing in song recitals and made his operatic debut the next year in Wiesbaden. He joined the Staatsoper, where he sang until 1960. During his last years in Hamburg, he also made frequent guest appearances elsewhere, including the Salzburg Festival. He sang frequently at the Metropolitan Opera between 1960 and 1970 and made his Bayreuth debut in 1965. Although he often sang Verdi early in his career, he later concentrated more on Mozart and Richard Strauss. Prey was well known for playing Figaro (Mozart and Rossini), but he played other Mozart roles at least equally often, particularly Papageno and Guglielmo. He also played, and recorded, the Count in The Marriage of Figaro. He is regarded by many as the best Eisenstein in Die Fledermaus operetta.

He was at home with comic opera Italian-style, displaying scenic intelligence, liveliness and hilarity. His virtuoso agility and great comic acting made him an obvious choice for numerous productions of Mozart's and Rossini's operas in the 1970s. In 1972 he performed as Figaro in Jean-Pierre Ponnelle's television film of Rossini's Il Barbiere di Siviglia with Teresa Berganza as Rosina, Luigi Alva as Almaviva and conductor Claudio Abbado. He appeared alongside Fritz Wunderlich in the live televised version of Il Barbiere di Siviglia in its German translation, Der Barbier von Sevilla. He also portrayed Figaro in 1976 in Ponnelle's film of Mozart's Le nozze di Figaro.

Prey also sang operetta and performed on German television, becoming extremely popular with television audiences. He shared media-celebrity with Fritz Wunderlich until the latter's untimely death, often playing Papageno to Wunderlich's Tamino.

He is best remembered for his recitals, his first American recital having been given in 1956. He was a gifted interpreter of Schubert, as well as other Lieder (together with the German pianist Sebastian Peschko). He also appeared frequently in concert, particularly in the Bach Passions and Brahms' A German Requiem.

Prey possessed a clear, polished tone - darker and deeper-sounding than his slightly older contemporary Dietrich Fischer-Dieskau, but equally refined and equally capable of soaring into the tenor range without the smallest suggestion of vocal effort.

He recorded a multi-volume set for Phillips, tracing the history of the Lied from the Minnesänger to the twentieth century. In addition, he released numerous recordings of opera and song.

Unlike Fischer-Dieskau, Prey wisely limited his Wagner to the soft, high-baritone roles Wolfram and Beckmesser. Starting in 1982, he taught at the Musikhochschule Hamburg, and he wrote an autobiography which was translated as First Night Fever. In 1988, he directed a production of The Marriage of Figaro in Salzburg. His son Florian is also a baritone. Prey died in Krailling, Bavaria. For many years, Michael Endres was the pianist to Hermann Prey.

Leonard Hokanson (August 13, 1931 – March 21, 2003) was an American pianist who achieved prominence in Europe as a soloist and chamber musician. Born in Vinalhaven, Maine, he attended Clark University in Worcester, Massachusetts and Bennington College in Vermont, where he received a master of arts degree with a major in music. He made his concert debut with the Philadelphia Orchestra at the age of eighteen. Drafted into the U.S. Army after graduate school, he was posted to Augsburg, Germany. He achieved early recognition as a performer in Europe, serving as a soloist with such orchestras as the Berlin Philharmonic, the Rotterdam Philharmonic, and the Vienna Symphony. He was awarded the Steinway Prize of Boston and was a prizewinner at the Busoni International Piano Competition in Bolzano, Italy. His numerous international music festival appearances included Aldeburgh, Berlin, Echternach, Lucerne, Prague, Ravinia, Salzburg, Schleswig-Holstein, Tanglewood, and Vienna.

One of the last pupils of Artur Schnabel, Hokanson also studied with Karl-Ulrich Schnabel, Claude Frank, and Julian DeGray. He was professor of piano at the Frankfurt University of Music and Performing Arts for ten years before taking a position as professor of piano at the Indiana University Jacobs School of Music in Bloomington in 1986. He was also a permanent guest professor at the Tokyo College of Music.

He was a founding member of the Odeon Trio and as a chamber musician performed with such ensembles as the Vermeer Quartet, the St. Lawrence Quartet, the Ensemble Villa Musica, and the Wind Soloists of the Berlin Philharmonic and frequently performed duo recitals with the violinist Miriam Fried, the clarinetist James Campbell, and the horn player Hermann Baumann. As a pianist for song recitals, he played with numerous singers, including Martina Arroyo, Grace Bumbry, Melanie Diener, Edith Mathis, Edda Moser, and Hermann Prey. His collaboration with Prey extended over 25 years. He was also resident pianist with Bay Chamber Concerts in Rockport, Maine.

Hokanson's many recordings include the complete piano works of Walter Piston, Haydn sonatas, Mozart concertos, and Brahms intermezzi, as well as Schubert's complete works for violin and piano with Edith Peinemann, Brahms’ sonatas for clarinet and piano with James Campbell, Beethoven's complete songs with Hermann Prey and Pamela Coburn, the complete piano trios of Brahms, Dvoƙák, and Schubert (Odeon Trio), previously unrecorded early piano works of Schubert, and Norbert Burgmüller's Concerto for Piano and Orchestra. In 2001 Hokanson became professor emeritus at Indiana University but continued teaching solo piano,  chamber music, and a German art song class at the school until his death from pancreatic cancer on March 21, 2003.

ARCHIV PRODUKTION Records LP item - SILVER record labels with BLACK lettering, with the record label logo in blue - see pictures for more detail
Record Made in GERMANY
Pressing is in STEREO - this is a “SAMPLE / PROMO” LP
Record Speed: 33 rpm
Record Made in: 1972
Record Catalog Number: 2533 121

This listing is for a very rare, out of print LP featuring the music of -


Performed by -
Herman Prey, bariton
Leonard Hokanson, klavier

LP Title -
BEETHOVEN Melodies Arranged as Songs & Symphony No. 8

Track listings -
Melodies from Sonatas and Symphonies, arranged as Songs by Firedrich Silcher:
 1. Das Auge der Geliebten
 2. An die Nacht
 3. Sehnsucht
 4. Wiedersehen
 5. Frage
 6. Durch dich so selig
 7. Umwolkter Himmel
 8. Lachelt, ihr Sterne, ewig mir
 9. Sehnsucht
 10. Gruss der Seelen
 11. An sie
 12. Gesang der Peri's
13. Symphony No. 8 in F Major, Transkription fur Klavier von Franz Liszt

The Gate-Fold LP jacket is in near mint minus condition.
The jacket has NO seam splits - it is completely intact, and shows only some mild shelf wear.
It has NO drill holes or saw marks of any kind, but does have two small white stickers affixed to the front and back of the jacket, with a university library stamp indicated on the stickers - see pictures with this listing for a better understanding of the condition of this item.
There is NO hand writing on the front, inside or back of the jacket (see point above).
The cover has clean and sharp colors - see picture with this listing for more detail.

The LP (vinyl) itself:
The LP is in near MINT minus condition!
It retains most of the original gloss and sheen, almost like a new record!
The record has no marks on it, obviously well taken care of.
NO significant spindle marks, just a couple of light ones.
This is the copy you have always wanted in your collection - any picky audiophile should be happy with this one!
This LP may have a slight mark or two (spider marks) which are caused by sliding the LP in and out of the inner sleeve and are usually not audible on most audio systems, depending of course, on the sensitivity of your turntable, arm and cartridge.

Please understand that this is a vintage LP - as such, one cannot expect the vinyl to sound like a brand new, audiophile pressing! Some noise is inevitable - for best results, always properly clean your LPs before playing them.

The LP is an audiophile quality pressing (any collector of fine MFSL, half speeds, direct to discs, Japanese/UK pressings etc., can attest to the difference a quality pressing can make to an audio system).

A Short Note About LP GRADING -
Mint {M} = Only used for sealed items.
Near Mint {NM} = Virtually flawless in every way.
Near Mint Minus {NM-} = Item has some minor imperfections, some audible.
Excellent {EXC} = Item obviously played and enjoyed with some noise.
Very Good Plus {VG+} = Many more imperfections which are noticeable and obtrusive.

Don't let this rarity slip by!!!

  • Item #: Archiv LP 2533 121 NM
  • Manufacturer: Archiv Produktion Records
  • Condition: Used

ARCHIV LP 2533 121: BEETHOVEN - Melodies arr as Songs, Sym No. 8

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